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BREVARD COLLEGE Brevard, NC 28712 AH 350 Survey of Modern Art. Fall 2005
Dr. A. Chapin Class meets in Fine Arts Media Room Office: 216 Sims Art Building MWF 10:30 – 11:20am Email: Tel. 883-8292 ext. 2329 http://www2.brevard.edu/chapin/annewebpage/ Office Hours: TTh 9:00-11:00 and by appointment. Prerequisites: Sophomore status or permission of instructor.
Description and Goals: What is art? How can we define modernity? And what is modern art? This course attempts to answer these questions while exploring the art and architecture that characterizes the 19th and 20th centuries. Beginning with a review of Romanticism, this course both surveys the art and artists of modernity, including Realism, Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism, Surrealism, Abstract Expressionism, Pop Art and contemporary trends in Postmodernism. Individual art objects are discussed in detail within their social, religious, intellectual, and historical contexts, and the reception of their art is examined. Concurrently, overarching themes, such as vision and reality, the nude, class consciousness, and nationalism, are explored through time. The goals are to explore the meanings of modern art and to better our understanding of modernity as it is expressed through the visions and creations of modern artists.
Implementation: Monuments of modern European and American art history and archaeology are presented in class as representative of the major historical, social and philosophical developments of the nineteenth and twentieth centuries that still impact our lives today. While regular class lecture is a major component of this course, classes are regularly dedicated to student discussions of different problems and themes in modern art, and all students present reports on modern art and artists. Students are also required to read and discuss selections from 19th and 20th century authors, and to keep a journal of their reactions to the material presented both in and out of class. The goal is to produce a broad but varied look at the development of modern art and architecture within its extended cultural and historical contexts.
The goals of this course are achieved through a variety of means. First, class attendance is important and is rewarded by points earned for every class attended. Participation in class discussions is also a vital component of the course. From consistent attendance and class participation, students will develop the skill of visual analysis—the process of analyzing what is seen in a work of art—that is the foundation of art history. Additionally, regular written assignments allow students to explore modern art and offers the students the opportunity for greater reflection into the meaning of art while further practicing writing skills.
Course Requirements:
1. Attendance (100 points) Class attendance is mandatory. Attendance will be taken at every class starting in the second week of class. Each class is worth 2.5 points, for a total of 100 points.
Students may be excused from class for Brevard College events (e.g., athletics, musical performances, etc.) or for illnesses, but each absence must be documented – either medical documentation, or notes from coaches, choral directors, etc..
History of Modern Art, by H. H. Arneson and Marla F. Prather. Available in the student bookstore.
Modern Art 1851 – 1929, by Richard R. Brettell. Available in the student bookstore.
Reading assignments are broadly outlined in the schedule of lectures (below) and more specific page assignments will be announced in class throughout the semester.
3. Additional Readings Additional short readings are drawn from a variety of nineteenth and twentieth century authors to complement the artistic and architectural developments discussed in class. These selections will be put on reserve in the Jones Library.
4. Exams and quizzes (est. 200 points) There are no exams. There are, however, regular quizzes (50 points each) that test knowledge of major monuments of modern art. The images that may appear on quizzes can be found in class textbooks, and a review sheets will be provided before quizzes. The lowest quiz grade will be dropped.
5. Journal (300 points) Students keep a journal that discusses the art of individual artists, and records thoughts and reactions to (1) material discussed in class, (2) material encountered through reading and research assignments, and (3) reactions to modern art seen on campus, in galleries, and in museums. Journal entries will regularly respond to questions directed at the class, and should respond by discussing specific art monuments.
Journal Policies: As discussed in class:
6. Oral Reports (150 points) All students are required to present two oral reports. The first (50 points) is a short (5-10 minute) report on an artist or a work of art. The second is a longer, more detailed report (100 points) on a subject in modern art, presented using PowerPoint. Possible topics will be discussed individually.
7. Art Gallery Openings and Lectures (30 points) Students are encouraged to attend gallery openings. Students will earn 10 points for each gallery opening attended.
8. Discussion and Class Participation (10%) This is not a passive class. Modern art often arouses strong reactions in viewers, and one goal of this course is to explore the reception of modern art. Expressing ideas and reactions through thoughtful speech contributes to the learning of all students in class. It’s hard to calculate class participation in points, so the overall effect of class participation is that it can influence a final grade positively (in an upward direction) by as much as 10%.
GRADING SUMMARY
Attendance 100 pts Reports 150 Quizzes (est) 200 Journal 300
Total 750 pts
Grading Scale.
The grades are determined on a curve before any potential extra credit points are added to the individual totals.
POLICIES:
Missed classes will be counted “0” except for documented absences due to Brevard College-sponsored events or illness.
Journals and journal entries are due on their due date. All students will turn in their journals every two weeks for grading.
Students with learning disabilities or special needs (including emergency medical information) should speak with the professor as soon as possible about any special arrangements that are necessary. The student with a learning disability should go to the Learning Enhancement Center to obtain an accommodation letter.
All students will follow the Honor Code and adhere to its guidelines. Any student who has not signed the Honor Code pledge may get a form at the office of the Registrar. All students should be particularly aware of the rules in the Honor Code regarding plagiarism and cheating. Plagiarism is the submission of another person’s work or thought as one’s own, either by direct copying or by insufficient acknowledgment of the source. Copying includes unacknowledged use of material from web sites and other electronic resources. Cheating is the use of any form of assistance while taking a quiz or examination. No cell phones or other electronic devices are allowed in the class room during exams and quizzes. Brevard College takes the infringement of these rules very seriously and carries out the appropriate academic and disciplinary actions.
The professor will attempt to adhere as closely as possible to this syllabus but details are subject to change.
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TENTATIVE SCHEDULE OF LECTURES AND ASSIGNMENTS
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Week 1 |
W
F |
8/24
8/26 |
Introduction
What Is Art? What Is Modern? What is Modern Art? Read: “What is Art,” from The Grove Book of Art Writing, M. Gayford and K. Wright, eds., pp. 561-573 (on reserve in Jones Library) Read: Brettell, Introduction, pp. 1-7.
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Week 2 |
M
W F |
8/29
8/31 9/2 |
Academic Art and the Art of Imitation Read: Grove Dictionary of Art on line, on Academic Art. Check links to images of academic art of the 19th century; Arneson ch. 1, pp. 27-28
Early Modern? Romantic Art and Architecture Read: Arneson ch. 1, pp. 21-27
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Week 3 |
M
W F
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9/5
9/7 9/9 |
Electronic Resources Workshop: Meet in the library
The Conditions of Modern Art: Urban Capitalism and Modernity. Read: Brettell part 2, pp. 49-78; Charles Baudelaire, from “The Painter of Modern Life.” Selections available on reserve in Jones Library; full text available at http://www.linesofadvance.com/baudelaire.html/
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Week 4 |
M W F |
9/12 9/14 9/16 |
Realism Read: Arneson ch. 2 up to Impressionism; Brettel, pp. 11-15, 131-153 (chapter 5: Sexuality and the Body); Gustave Courbet, from Realist Manifesto, 1855.
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Week 5 |
M W F
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9/19 9/21 9/23 |
Impressionism Read: Arneson ch. 2, Impressionism; Brettell pp. 15-19, 83-97.
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Week 6
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M W F
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9/26 9/28 9/30 |
Post-Impressionism Read: Arneson ch. 3; Brettell pp. 21-26, 155-178 (chapter 6: Social Class and Class Consciousness)
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Week 7 |
M W
F |
10/3 10/5
10/7
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Symbolism and Art Nouveau Read: Arneson chs. 4-5; Brettell pp. 19-21, 26-29, 105-123 (chapter 4: Image/Modernism…)
TENTATIVE DATE: GUEST LECTURE: DR. LOULY KONZ, speaking on Gaudi in Barcelona.
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Week 8 |
M W F
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10/10 10/12 10/14 |
Fauvism and Expressionism Read: Arneson chs. 7-8; Brettell pp. 29-32.
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Week 9 |
M
W F
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10/17
10/19 10/21 |
FALL BREAK - NO CLASS
Cubism, Futurism, and Constructivism Read: Arneson chs. 9-10; Brettell pp. 32-42, 97-103. |
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Week 10 |
M W F
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10/24 10/26 10/28 |
Cubism, Futurism, and Constructivism, continued Read: Arneson chs. 11-12 |
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Week 11 |
M W F |
10/31 11/2 11/4 |
Dada and Surrealism Read: Arneson ch. 13-15; Brettell pp. 42-47, 211-217 (Afterward: The Institutionalization of “Modern Art”); T. Tzara, from “Dada Manifesto, 1918;” Andre Breton, from the First Manifesto of Surrealism 1924; Adolph Hitler, from his speech inaugurating the “Great Exhibition of German Art,” Munich 1937.
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Week 12 |
M W F |
11/7 11/9 11/11 |
Abstract Expressionism Read: Arneson chs. 16-19; Brettell pp. 181-194 (chapter 7: Anti-Iconography: Art Without “Subject”).
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Week 13 |
M W F |
11/14 11/16 11/18
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Pop Art and 60s Abstraction Read: Arneson chs. 20-22
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Week 14 |
M
W F |
11/21
11/23 11/25 |
Art in the 1970s Read: Arneson ch. 24
THANKSGIVING BREAK - NO CLASSES
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Week 15 |
M W F
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11/28 11/30 12/2 |
Art in the 1980s and 1990s Read: Arneson ch. 25, 27 |
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Week 16 |
M |
12/5
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Art in the New Millennium |
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F |
12/9
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FINAL EXAM – Class wrap-up Friday, December 9 @ 1:30 p.m.
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